Listening as urban strategy across different sites and projects: situated listening and sonic cartography link lived sonic experience to urban sites and landscape, infrastructure, and planning and design scenarios.
CDA
RNP 07 | Sonic Journal (2026)
Sonic Drift CDA | Audio Essay and AI Open Geospatial Workflow | ReSilence S+T+ARTS Horizon EU (2023-25)
CDA_N | Book Chapter | The Derailment of the Usual (2022)
Live Stream Brussels North | Radio Earth (2021)
L28
PhD in Architecture & Masterstudio_L28 | KU Leuven (2017-2022)
Planning Consultancy | PAD / RPA Beekkant – West | Perspective Brussels (2017)
Studio_L28 | Sound Art Residency with Publication | Q-O2 (2016)
Planning Consultancy | CRU / SVC 03 Weststation (2016)
Beekkant – West | Sound Art Residency | Q-O2 – SoCCoS (2015-16)
Field Recording L28 | Radio Aporee | Farmhouse – Parckfarm Tour & Taxis | Parckdesign Biennale (2014-15)
MDM
Studio_MDM | Sound Art Residency with Publication | U–jazdowski – SoCCoS (2015)
HASSELT – GENK
FORD GENK | Sonic Cartography | Sound Art Residency | Atelier De Stad Hasselt – Genk, C-Mine Cultuurcentrum & Z33 (2014)
FOREST – BAS
ITCC FOREST 13 | Sound Walk | l’Incroyable Téléphérique (2013)
Master project | MSc Spatial Planning & Urban Design, Ster* (2012-13)
Field Recording Laag Vorst | Radio Aporee (2012-13)
© Caroline Claus 2026