Claus, C., & Kersten, E. (Ed.). (2022). CDA_N: Taking care of what I need to hear. In The derailment of the usual; pp. 86 – 99. Hématomes Éditions; Liège, Belgium.
Claus, C., Pak, B. (Supervisor), & Cusack, P. (Supervisor). (2022). Towards a decentering of the listener in planning and design research: Attuning to affective sonic materiality for transitory railway space along Brussels Line 28. KU Leuven Lirias
Claus, C., Pak, B., Kafka, G. (Ed.), Lovell, S.(Ed.), & Shipwright, F. (Ed.) (2019). Masterstudio_L28 and the vibrational nexus. In Sonic Urbanism; pp. 46 – 53. TM / &Beyond Collective; London, United Kingdom. https://theatrum-mundi.org/wp-content/uploads/2019/08/sonic-urbanism_theatrum-mundi_andbeyond_WEB.pdf
Claus, C., & Eckhardt, J. (Ed.) (2018). Studio_L28: Sonic perspectives on urbanism. Umland / Q-O2 & Public school for architecture Brussels, Brussels, Belgium.
Claus, C., Devisch, O. (Ed.), Huybrechts, L.(Ed.), & De Ridder, R. (Ed.). (2018). Using a complex sound world for a participative dismantling and redefinition of the collective appropriation of industrial landscapes. In Participatory Design Theory: Using technology and social media to foster civic engagement; 2018; pp. 28 – 39. Taylor & Francis Ltd; London, United Kingdom.
Claus, C. (2017, April). Urban sound design studio L–28: urban sonic research as critical spatial practice. In Conference Proceedings, Invisible Places. Portugal. http://invisibleplaces.org/2017/pdf/Claus.pdf
Claus, C., & Marcinaniak, K. (Ed.).(2015). Urban Sound Design Process. A-I-R Laboratory CCA Ujazdowski Castle; Warsaw. https://u-jazdowski.pl/en/programme/publications/projektowanie-dzwiekowe-przestrzeni-miejskiej