Claus, C. (2022). CDA_N: Taking care of what I need to hear. In Devens, P. & E. Kersten (Eds.), The derailment of the usual (pp. 86 – 99). Hématomes Éditions; Liège, Belgium.
Claus, C., Pak, B. (Supervisor), & Cusack, P. (Supervisor). (2022). Towards a decentering of the listener in planning and design research: Attuning to affective sonic materiality for transitory railway space along Brussels Line 28. KU Leuven Lirias
French, J. Riley. (2020). Four questions ∣ located sound: The act and art of listening to located sound # Caroline Claus [Interview]. https://fr4q.wordpress.com/2020/02/03/caroline-claus/un
Claus, C., Pak, B., Kafka, G. (Ed.), Lovell, S.(Ed.), & Shipwright, F. (Ed.) (2019). Masterstudio_L28 and the vibrational nexus. In Sonic Urbanism; pp. 46 – 53. TM / &Beyond Collective; London, United Kingdom. https://theatrum-mundi.org/wp-content/uploads/2019/08/sonic-urbanism_theatrum-mundi_andbeyond_WEB.pdf
Claus, C., & Eckhardt, J. (Ed.) (2018). Studio_L28: Sonic perspectives on urbanism. Umland / Q-O2 & Public school for architecture Brussels, Brussels, Belgium.
Claus, C. (2017). Urban sound design studio L–28: urban sonic research as critical spatial practice. In Conference Proceedings, Invisible Places 2017 (pp. 220 – 229). Portugal. http://invisibleplaces.org/2017/pdf/Claus.pdf
Claus, C., & Marcinaniak, K. (Ed.). (2015). Urban Sound Design Process. A-I-R Laboratory CCA Ujazdowski Castle; Warsaw. https://u-jazdowski.pl/en/programme/publications/projektowanie-dzwiekowe-przestrzeni-miejskiej
Claus, C. (2014). Using a complex sound world for a participative dismantling and redefinition of the collective appropriation of industrial landscapes. In Conference Proceedings, Invisible Places 2014 (pp. 611 – 622). Portugal. http://invisibleplaces.org/IP2014.pdf
